Tuesday, 9 February 2016

BFI - Notes

Concept: Exchange

Cinema has a traditional model, customers pay for subscription/ticket in return for a cinema experience.

Types of Audience & Theatrical Distribution

  • Art house: BFI,Independent cinemas; low budget films
  • Multiplex: Large cinema chains; Vue & Odeon 
  • Cross over

British Sub Genres

  • Heritage: Nostalgic, Rose tinted view of British History
  • Social Realism 
  • Franchise Films: Offer similar audience pleasures to other blockbuster films and fulfills expectations of international audience 
  • Horror: Tradition of going back to Gothic 
  • Urban Fairy tale Rom Com 

Why do people watch British Films?

Uses and Gratifications for national audience?

  • Information/Education: How do other British people live? What are the issues affecting the UK?
  • Social Interaction: 'Crowd Pleasures' (social viewing), Oscar nominations (conversation point)
  • Personal Identification: National pride, solidarity,aspiration, glamorization,reinforcing/rejecting values
  • Pure Entertainment: Spectacle, escapism, adrenaline (thriller/horror), catharsis (+emotional intensity)

Uses and Gratifications for US/international audience?

  • Information/Education: historical/literary figures,contemporary celebrities/royalty
  • Social Interaction:'Crowd pleasures' (social viewing, Oscar nominations (conversation point)
  • Personal Identification: Solidarity with subcultures/marginalized groups rarely represented in mainstream cinema 
  • Pure Entertainment: spectacle, escapism, adrenaline (thriller/horror), catharsis (+emotional intensity)

Film Examples

Franchise: Kingsman: The Secret Service
What would a UK audience like about this film?
  • Offers the pleasures of other blockbusters
  • Personal Identification - Through the dialogue: "Sick": Words the younger audience understand
  • Social Interaction
  • Pure Entertainment  
What would a US/international audience like about the film?
  • Pure Entertainment 
  • Adrenaline - Stately Homes
  • Typical Stereotypes
Heritage: A Royal Night Out  - 'art house'.'multiplex' or 'crossover/prestige'?
What would a UK audience like about this film?
  • Personal Identification
  • Tourist Marketing Strategy
  • Presents the past as a spectacle, museum aesthetic: Visual Pleasure
What would a US/international audience like about the film?
  • Information/Education: Royals
  • Social Interaction: US does not have a monarchy 
Social Realism: The Selfish Giant - 'art house'.'multiplex' or 'crossover/prestige'?
What would a UK audience like about this film?
  • Personal Identification - Focuses on working/underclass characters
What would a US/international audience like about the film?
  • Information/Education: Doesn't sugar coat the issues it looks at 
Other notes
  • Opposite of heritage cinema
  • Deals with social problems
  • Challenges the audiences comfort zones
  • Prestige Film: Made on a low budget, but makes huge profit due to the incidence interest
Horror: The Woman in Black - 'art house'.'multiplex' or 'crossover/prestige'?
What would a UK audience like about this film?
  • Pure Entertainment (Horror,Adrenaline)
What would a US/international audience like about the film?
  • Stereotypical British heritage film - Mansion House, British Actor (Daniel Radcliffe) 'Proud to be British' 
  • Adrenaline 
Other Notes
  • Offers costume drama - added sex & violence 
  • Rivaled US horror which has stricter censorship rules 
Urban Fairy tale Rom Com: One Day - 'art house'.'multiplex' or 'crossover/prestige'?
What would a UK audience like about this film?
  • Offers typical pleasures of a British Rom Com film
What would a US/international audience like about the film?
  • Information/Education: London Landmarks
  • Typical love story conventions
  • Set in contemporary London (Other recognizable locations)
  • Middle Class Audiences

Institutional Case Studies: Vertigo and Warp Films

Background Information:Warp

  • Formed in 2001
  • Started as a off shoot electric music label
  • First Release: Short film on DVD
Production: What are the media products?

  • Bedroom producer ethos 
Other Notes
  • Network already established as Warp X developing lower budgeted films 
  • Developing talent
  • Warp used low budget to inspire creative freedom 
  • Cross Media Synergy: Film Four, Screen Yorkshire, BBC, Channel 4 & Sky's Playhouse (Last Panthers) 
Background Information: Vertigo
  • Main Aim today: Create commercially sustainable independent films
  • Create/Identify new talent: Give them a big break in the movie industry
  • Formed in 2002
  • Created to produce & distribute 2 films: Football factory & Its all gone Pete Tong 
  • They try to stay away from producing prestige films
Distribution: How does the institution make the product available to the consumer?
  • Dedicated sales and distribution wing
  • Ancillary Sales
  • DVD
  • Pay Per View
  • TV
Marketing: How is the audience targeted?
  • Wide range of products - Horror, Family Friendly
  • Well known celebrity actors - Audience can associate with - Danny Dyer
Cross Media Synergy - Multiplatform?
  • Teamed up with Simon Cowell record label - Syco: Worked on developing Britain's Got Talent Winners
Other Notes
  • Very distinctive brand identity
  • Distinctive amateur film making with a market
  • Aimed at middle ground between art house & multiplex cinema audience

Film Examples

Monsters

  • National Audience appeal: Pure Entertainment 
  • International Audience appeal: Pure Entertainment, Social Interaction
  • Low Budget: $500,000
  • Domestic Box Office: £237,301
  • International Box Office: $5,402,429
Streetdance 3D

  • No1 in UK in the first week
  • Most expensive film made to date
  • Budget: £6,700,000
  • Global Total:$17,695,464
Dead Man's Shoes - Warp Films
  • First Feature
  • Largely Improvised shooting - No shot list, storyboard etc
  • Punk Rock attitude to film making
  • Shane Meadows (2006) 
  • Low Budget 
  • Committed Cast


      

       

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